News is the communication of selected information on current events which is presented by print, broadcast, Internet, or word of mouth to a third-party or mass audience.

Etymology

One theory claims that the English word "news" developed in the 14th century as a special use of the plural form of "new". In Middle English, the equivalent word was ''newes'', like the French ''nouvelles'' and the German ''neues''. Similar developments are found in the Slavic languages – the Czech and Slovak ''noviny'' (from ''nový'', "new"), the cognate Polish ''nowiny'' and Russian ''novosti'' – and in the Celtic languages: the Welsh ''newyddion'' (from ''newydd'') and the Cornish ''nowodhow'' (from ''nowydh'').

History

Before the invention of newspapers in the early 17th century, official government bulletins and edicts were circulated at times in some centralized empires.

The first documented use of an organized courier service for the diffusion of written documents is in Egypt, where Pharaohs used couriers for the diffusion of their decrees in the territory of the State (2400 BC). This practice almost certainly has roots in the much older practice of oral messaging and may have been built on a pre-existing infrastructure.

In Ancient Rome, ''Acta Diurna'', or government announcement bulletins, were made public by Julius Caesar. They were carved in metal or stone and posted in public places.

In China, early government-produced news sheets, called tipao, circulated among court officials during the late Han dynasty (second and third centuries AD). Between 713 and 734, the ''Kaiyuan Za Bao'' ("Bulletin of the Court") of the Chinese Tang Dynasty published government news; it was handwritten on silk and read by government officials. In 1582 there was the first reference to privately published newssheets in Beijing, during the late Ming Dynasty.

In Early modern Europe, increased cross-border interaction created a rising need for information which was met by concise handwritten newssheets. In 1556, the government of Venice first published the monthly ''Notizie scritte'', which cost one gazetta. These avvisi were handwritten newsletters and used to convey political, military, and economic news quickly and efficiently to Italian cities (1500–1700) — sharing some characteristics of newspapers though usually not considered true newspapers. Due to low literacy rates, news was at times disseminated by town criers.

Relation aller Fürnemmen und gedenckwürdigen Historien, from 1605, is recognized as the world's first newspaper.

The oldest news agency is the Agence France-Presse (AFP). It was founded in 1835 by a Parisian translator and advertising agent, Charles-Louis Havas as Agence Havas.

In modern times, printed news had to be phoned in to a newsroom or brought there by a reporter, where it was typed and either transmitted over wire services or edited and manually set in type along with other news stories for a specific edition. Today, the term "breaking news" has become trite as commercial broadcasting United States cable news services that are available 24-hours a day use live satellite technology to bring current events into consumers' homes as the event occurs. Events that used to take hours or days to become common knowledge in towns or in nations are fed instantaneously to consumers via radio, television, mobile phone, and the Internet.

Newspapers

Most large cities in the United States historically had morning and afternoon newspapers. As the media evolved and news outlets increased to the point of near over-saturation, most afternoon newspapers were shut down. Morning newspapers have been gradually losing circulation, according to reports advanced by the papers themselves. Commonly, news content should contain the "Five Ws" (who, what, when, where, why, and also how) of an event. There should be no questions remaining. Newspapers normally place hard news stories on the first pages, so the most important information is at the beginning. Busy readers can read as little or as much as they desire. Local stations and networks with a set format must take news stories and break them down into the most important aspects due to time constraints. Cable news channels such as BBC News, Fox News, MSNBC, and CNN, are able to take advantage of a story, sacrificing other, decidedly less important stories, and giving as much detail about breaking news as possible.

News organizations are often expected to aim for objectivity; reporters claim to try to cover all sides of an issue without bias, as compared to commentators or analysts, who provide opinion or personal point-of-view. The result is a laying out of facts in a sterile, noncommittal manner, and then standing back to "let the reader decide" which view is true. Several governments impose certain constraints or police news organizations against bias. In the United Kingdom, for example, limits are set by the government agency Ofcom, the Office of Communications. Both newspapers and broadcast news programs in the United States are generally expected to remain neutral and avoid bias except for clearly indicated editorial articles or segments. Many single-party governments have operated state-run news organizations, which may present the government's views.

Even in those situations where objectivity is expected, it is difficult to achieve, and individual journalists may fall foul of their own personal bias, or succumb to commercial or political pressure. Similarly, the objectivity of news organizations owned by conglomerated corporations fairly may be questioned, in light of the natural incentive for such groups to report news in a manner intended to advance the conglomerate's financial interests. Individuals and organizations who are the subject of news reports may use news management techniques to try to make a favourable impression. Because each individual has a particular point of view, it is recognized that there can be no absolute objectivity in news reporting.

Newsworthiness

Newsworthiness is defined as a subject having sufficient relevance to the public or a special audience to warrant press attention or coverage.

In some countries and at some points in history, what news media and the public have considered "newsworthy" has met different definitions, such as the notion of news values. For example, mid-twentieth-century news reporting in the United States focused on political and local issues with important socio-economic impacts, such as the landing of a living person on the moon or the cold war. More recently, the focus similarly remains on political and local issues; however, the news mass media now comes under criticism for over-emphasis on "non-news" and "gossip" such as celebrities' personal social issues, local issues of little merit, as well as biased sensationalism of political topics such as terrorism and the economy. The dominance of celebrity and social news, the blurring of the boundary between news and reality shows and other popular culture, and the advent of citizen journalism may suggest that the nature of ‘news’ and news values are evolving and that traditional models of the news process are now only partially relevant. Newsworthiness does not only depend on the topic, but also the presentation of the topic and the selection of information from that topic.

New ecology of news

“Everything we thought we once knew about journalism needs to be rethought in the Digital Age”, professor of Sociology and Communication Michael Schudson points out. Today the work of journalism can be done from anywhere and done well. It requires no more than a reporter and a laptop. In that way, journalistic authority seems to have become more individual- and less institution-based. But does the individual reporter always have to be an actual journalist? Or can journalistic work be done from anywhere and by anyone? These are questions that refers to the core of journalistic practice and the definition of “news” itself. As Schudson has given emphasis to, the answer is not easily found; “the ground journalists walk upon is shaking, and the experience for both those who work in the field and those on the outside studying it is dizzying”.

Schudson has identified the following six specific areas where the ecology of news in his opinion has changed: 1. The line between the reader and writer has blurred 2. The distinction among tweet, blog post, newspaper story, magazine article, and book has blurred 3. The line between professionals and amateurs has blurred, and a variety of “pro-am” relationships has emerged 4. The boundaries delineating for-profit, public, and non-profit media have blurred, and the cooperation across these models of financing has developed 5. Within commercial news organizations, the line between the news room and the business office has blurred 6. The line between old media and new media has blurred, practically beyond recognition

These alterations inevitably has fundamental ramifications for the contemporary ecology of news. “The boundaries of journalism, which just a few years ago seemed relatively clear, and permanent, have become less distinct, and this blurring, while potentially the foundation of progress even as it is the source of risk, has given rise to a new set of journalistic principles and practices”, Schudson puts it. It is indeed complex, but it seems to be the future.

References

Further reading

Stephens, Mitchell. "The History of News - 3rd Ed" Oxford University Press, New York, 2007.

External links

Category:Television terminology

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12 o'clock usually refers to a clock position on the 12-hour clock, either noon - 12 o'clock in the daytime - or midnight - 12 o'clock in the nighttime.

It may also be:

A Wu-Tang Clan affiliate, 12 O'Clock.

A community in Quinte West

See also

Twelve O'Clock High

Twelve O'clock Knob (Roanoke County, Virginia)

Name	John Prine
Landscape	yes
Background	solo_singer
Birth date	October 10, 1946
Origin	Maywood, Illinois, United States
Instrument	VocalsGuitar
Genre	CountryFolkProgressive bluegrass
Occupation	Singer-songwriterGuitarist
Years active	1971–present
Label	Atlantic, Asylum, Oh Boy, Rhino
Associated acts	Steve Goodman
Website	www.johnprine.net }}

John Prine (born October 10, 1946, in Maywood, Illinois) is an American country/folk singer-songwriter. He has been active as a recording artist and live performer since the early 1970s.

Biography

Prine is the son of William Prine and Verna Hamm. Prine started playing guitar at age 14, taught by his brother, David. Prine attended Proviso East High School, and was a member on the school's gymnastic team. He was a postman for five years and served in the Army during the Vietnam War era, serving in Germany, before beginning his musical career in Chicago.

In the late 1960s, while Prine was delivering mail in Maywood, Illinois, he began to sing at open mic evenings at the Fifth Peg on Armitage Avenue. Prine was initially a spectator, reluctant to perform, but eventually did so in response to a "You think you can do better?" comment made to him by another performer. Chicago ''Sun-Times'' movie critic Roger Ebert heard him there and wrote the first review Prine ever received, calling him a great songwriter. He became a central figure in the Chicago Folk Revival, which also included such singer-songwriters as Steve Goodman, Bonnie Koloc, Jim Post and Fred Holstein. Joined by such established musicians as Jethro Burns and Bob Gibson, Prine performed frequently at such clubs as the Earl of Old Town, the Quiet Knight, Somebody Else's Troubles, The 5th Peg, and the Bulls.

John Prine is currently living in Nashville with his third wife, Fiona Whelan. They have three children, stepson Jody Whelan, Tommy and Jack. Prine has a second residence in Pinellas County, Florida.

Recordings

In 1971 Prine's self-titled debut album was released. He and friend Steve Goodman had each been active in the Chicago folk scene before being "discovered" by Kris Kristofferson (Kristofferson remarked that Prine wrote songs so good that "we'll have to break his thumbs"). The album included his signature songs "Illegal Smile," "Sam Stone," and the folk and country standards "Angel from Montgomery" and "Paradise." The album also included "Hello In There", a song about aging that was later covered by numerous artists and "Far From Me," a lonely waltz about lost love for a waitress that Prine later said was his favorite of all his songs. The album received many positive reviews, and some hailed Prine as "the next Dylan." Bob Dylan himself appeared unannounced at one of Prine's first New York City club appearances, anonymously backing him on harmonica.

Prine's second album, ''Diamonds In The Rough'', was a surprise for many after the critical success of his first LP; it was an uncommercial, stripped-down affair that reflected Prine's fondness for bluegrass music and features songs reminiscent of Hank Williams's work as Luke The Drifter. Highlights include the allegorical "The Great Compromise," which features a recitation and addresses the Vietnam War, and the touching ballad "Souvenirs," which Prine later recorded with Goodman.

Later albums include ''Sweet Revenge'' (1973), containing such fan favorites as "Dear Abby," "Grandpa Was A Carpenter," and "Christmas In Prison", and ''Common Sense'' (1975), with "Come Back to Us Barbara Lewis Hare Krishna Beauregard". The latter album was Prine's first to be charted in the US Top 100 by ''Billboard'', reflecting growing commercial success. It was produced by Steve Cropper. Many veteran Prine fans view the release of 1978's ''Bruised Orange'' as a creative highpoint. The Steve Goodman-produced album gave listeners songs such as "The Hobo Song," "Sabu Visits the Twin Cities Alone," and the title track showing that he could capture the human condition as easily as writing politically inspired anthems.

In 1974, singer David Allan Coe achieved considerable success on the country charts with "You Never Even Called Me By My Name", co-written by Prine and Goodman. The song good-naturedly spoofed stereotypical country music lyrics. Prine refused to take a songwriter's credit and the tune went to Goodman, although Goodman bought Prine a jukebox as a gift from his publishing royalties.

The 1979 album ''Pink Cadillac'' features two songs produced by legendary Sun Records founder Sam Phillips, who by this time rarely did any studio work. The first song, "Saigon," is about a Vietnam vet traumatized by the war ("The static in my attic's gettin' ready to blow"). During the recording, one of the guitar amps blew up (which is evident on the album track). The other song Phillips produced is "How Lucky," about Prine's hometown. "Chinatown," the first song on the record, contains what is Prine's most controversial lyrics, including a reference to "a slant-eyed chicky" and the line "I got a sugar rush that'd make a nigger blush." The song initially appears completely at odds with the liberal-minded songwriter's previous work and baffled many fans and critics. It should be noted, however, that other songwriters of the era, such as Randy Newman and John Lennon, also wrote songs using strong, potentially offensive language, and Prine may have been assuming a character in a song whose lyrics did not reflect his own beliefs.

Prine continued writing and recording albums throughout the 1980s and formed his own record label, Oh Boy Records. His songs continued to be covered by other artists; the country supergroup The Highwaymen recorded "The Twentieth Century Is Almost Over," which had been written by Prine and Goodman. Steve Goodman died of leukemia in 1984 and Prine continues to perform many of Goodman's songs in concert to this day, such as "My Old Man."

In 1991, Prine released the Grammy Award-winning ''The Missing Years'', his first collaboration with producer and Heartbreakers bassist Howie Epstein. The title song records Prine's humorous take on what Jesus did in the unrecorded years between his childhood and ministry. In 1995, ''Lost Dogs and Mixed Blessings'' was released, another collaboration with Epstein. Prine followed in 1999 with ''In Spite of Ourselves'', which was unusual for him in that it contained only one original song—the rest were covers of classic country songs—and all were duets with well-known female country vocalists, including Lucinda Williams, Emmylou Harris, Dolores Keane, and Iris DeMent (whom Prine appeared with on the Letterman Show & referred to as his "favorite girl singers".)

In 2001 John co-starred in the Billy Bob Thornton movie Daddy & Them (Alvin Montgomery), and "In Spite of Ourselves" can be heard as the end credits roll .

Cancer

In early 1998, Prine was diagnosed with squamous cell cancer on the right side of his neck. He had surgery to remove the diseased tissue and was left with a substantial loss of tissue. This was followed by six weeks of radiation therapy. The surgery altered his vocals, and has added a "gravel" tone to his voice.

Awards and influence

In 2003, he was given a Lifetime Achievement Award for songwriting by the UK's BBC Radio 2 and that same year was inducted into the Nashville Songwriters Hall of Fame. The following year saw his song "Sam Stone" covered by Laura Cantrell for the Future Soundtrack for America compilation.

Prine has taken his place as one of the most influential songwriters of his generation. In 2009, Bob Dylan told the Huffington Post that Prine was one of his favourite writers, stating "Prine's stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. All that stuff about "Sam Stone," the soldier junkie daddy, and "Donald and Lydia," where people make love from ten miles away. Nobody but Prine could write like that." In Johnny Cash's autobiography ''Cash'', he admitted "I don't listen to music much at the farm, unless I'm going into songwriting mode and looking for inspiration. Then I'll put on something by the writers I've admired and used for years (Rodney Crowell, John Prine, Guy Clark, and the late Steve Goodman are my Big Four)..." When asked by ''Word Magazine'' in 2008 if he heard Pink Floyd's influence in newer British bands like Radiohead, Roger Waters replied "I don't really listen to Radiohead. I listened to the albums and they just didn't move me in the way, say, John Prine does. His is just extra-ordinarily eloquent music—and he lives on that plane with Neil Young and Lennon." Prine received the Artist of the Year award at the Americana Music Awards on September 9, 2005. The award was accepted in his name by awards host and long-time friend Billy Bob Thornton.

Recent years

Prine recorded a version of Stephen Foster's "Old Kentucky Home" in 2004 for the compilation album ''Beautiful Dreamer'', which won the Grammy for Best Traditional Folk Album in 2005.

In 2005, Prine released his first all-new offering since ''Lost Dogs and Mixed Blessings'', the album ''Fair & Square'', which tended toward a more laid-back, acoustic approach than, for example, ''Lost Dogs and Mixed Blessings''. The album contains songs such as "Safety Joe," about a man who has never taken any risks in his life, and also "Some Humans Ain't Human," Prine's protest piece on the album, which talks about the ugly side of human nature and includes a quick shot at President George W. Bush. ''Fair & Square'' won the 2006 Grammy Award for Best Contemporary Folk Album. The album contains original songs plus two covers: A.P. Carter's "Bear Creek Blues" and Blaze Foley's "Clay Pigeons."

2010 kicked off with a flurry of Prine activity, as he stopped by ''The Marty Stuart Show'' on RFD-TV in January to perform three of his most popular recordings: "Speed of the Sound of Loneliness," "Souvenirs," & "Paradise." Later in May Prine appeared on Late Show With David Letterman, performing "All The Best" with Jim James of the band My Morning Jacket.

On July 3, 2010, Prine appeared at Ravinia Festival in Highland Park, Illinois, broadcast on American Public Media's A Prairie Home Companion, playing several of his songs.

On September 30, 2011, Prine played a thirteen song set on the main Banjo Stage at the Hardly Strictly Bluegrass festival in San Francisco, California.

Broken Hearts and Dirty Windows

On June 22, 2010 Oh Boy Records released a tribute album titled "Broken Hearts and Dirty Windows: The Songs of John Prine". The album features members of the modern folk revival including My Morning Jacket, The Avett Brothers, Conor Oberst and the Mystic Valley Band, Old Crow Medicine Show, Lambchop, Josh Ritter, Drive-By Truckers, Nickel Creek's Sara Watkins, Deer Tick featuring Liz Isenberg, Justin Townes Earle, Those Darlins, and Bon Iver's Justin Vernon.

Discography

Albums

Year	Album	Peak chart positions					Label
		! style="width:45px;"	! style="width:45px;"	! style="width:45px;"	! style="width:45px;"	! style="width:45px;"
1971							rowspan="5"
1972
1973
1975
1976	''Prime Prine: The Best of John Prine''
1978	''Bruised Orange''						rowspan="3"
1979
1980	''Storm Windows''
1984	''Aimless Love''						rowspan="4"
1986	''German Afternoons''
1988	''John Prine Live''
1991
	''Great Days: The John Prine Anthology''
''A John Prine Christmas''						rowspan="9"
1995	''Lost Dogs and Mixed Blessings''
1997
1999	''In Spite of Ourselves''
2000
2005	''Fair & Square''
2007	''Standard Songs For Average People''(with Mac Wiseman)
2010	''In Person & On Stage''
2011	''Singing Mailman Delivers''

Guest singles

Year	Single	Artist	Peak positions	Album
			! width="65"
1992		Buzzin' Cousins	68	align="left"

References

External links

''A Literary Evening with John Prine and Ted Kooser.'' March 9, 2005. The Poetry and Literature Center at the Library of Congress.

Interview with John Prine - KyndMusic, September 2005

1971 Radio Interview with John Prine on WGLD Oak Park - fr JOHNPRINE.NET

Category:1946 births Category:Living people Category:American country singers Category:American male singers Category:American country musicians Category:American folk singers Category:American singer-songwriters Category:Old Town School of Folk musicians Category:Grammy Award winners Category:Cancer survivors Category:Folk musicians from Chicago, Illinois Category:People from Maywood, Illinois Category:Mail carriers

de:John Prine es:John Prine fr:John Prine nl:John Prine sv:John Prine